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Payne, JW, Bettman, JR and Johnson, EJ (1993) The Adaptive Decision Maker New York: Cambridge University Press Pennell, R, Durham, M, Ozog, C and Spark, A (1997) Writing in context: situated learning on the web In Kevill R, Oliver R, and Phillips R, (eds), What Works and Why: Proceedings of the 14th Annual Conference of the Australian Society for Computers in Tertiary Education Held at Curtin University, Perth, WA: Academic Computing Services, pp 463 469 Pielke, RA (1999) Nine fallacies of oods Climatic Change, 42(2):413 438 Pirnay-Dummer, P (2007) Model inspection trace of concepts and relations: a heuristic approach to language-oriented model assessment Paper presented at the Annual Meeting of American Educational Research Association, Chicago, IL Pirnay-Dummer, P, Ifenthaler, D, Johnson, T and Al-Diban, S.

by delaying the playout of voice samples. This technique, dejitter buffering, amounts to waiting for packets that have been delayed more than the average in the network. In the case of VoIP, the allowable end-to-end delay limits the size of the dejittering buffer, and hence acceptable delay variation and reordering. Typically dejittering buffer length is constant during talkspurts to avoid deforming the signal to be played out. Streamed audio and video are useful examples of inherently periodic services. Streamed content can be transported using both UDP and TCP. UDP is in general better suited to the needs of a service that involves periodic transmission and is to some extent robust, as loss of a packet does not create retransmission. Despite delay variations caused by mostly unnecessary reliability in transport protocol level, HTTP/TCP/IP has been used for transporting streaming. The reason for this is traversing rewalls at the edge of corporate domains, as typically separate gates need to be provided for UDP ows which are by default rejected by domain rewalls. As mentioned previously, packet loss and delay are interrelated for periodic real-time streams. Thus, it is possible to trade end-to-end delay and jitter for packet loss. Even the G.711 codec without any error correction schemes can tolerate some amount of packet loss without losing intelligibility of the message. The better the content coding, the more packet loss can be tolerated. Subsequently, the available bandwidth does not have to support the nominal bit rate of the codec at all times. The basic measure for evenness of periodic PDU transmission is delay variation. The atomic delay variation between two adjacent packets ri 1 and ri is de ned as t = ri ti (ri 1 ti 1 ) (2.2)

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(2008) Reading with the guide of automated graphical representations: How model based text visualizations facilitate learning in reading comprehension tasks Paper presented at The Annual Meeting of the American Educational Research Association, pp 25 27, March 2008, New York Posner, GJ, Strike, KA, Hewson, PW and Gertzog, WA (1982) Accommodation of scienti c conception: toward a theory of conceptual change Science Education, 66(2):211 227 Post, NM (2007) High-pro le Manhattan Tower is Veteran Builder s Last Hurrah Engineering News Record, (Cover Story, March 26) (Available online at) http://enrconstructioncom/features/_Covers/2007/archives/070326asp (Retrieved on 31 August 2008) Read, D, Bostrom, A, Morgan, MG, Fischhoff, B and Smuts, T (1994) What do people know about global climate-change 2: survey studies of educated laypeople Risk Analysis, 14(6):971 982 Rojas, E and Mukherjee, A.

Photoshop tends to collect users from a variety of backgrounds. From casual users just playing around to professional graphics designers creating professional materials to digital artists creating fantastic artwork to medical technicians analyzing patient images, Photoshop has something for everyone. In fact, there really isn t one specific group of users that you could call the average Photoshop user. So, with that in mind, the Photoshop CS5 Bible is designed to provide enough information so experienced Photoshop users can get more out of Photoshop, but also so someone who has little or no experience with Photoshop can quickly pick up on Photoshop s interface and become an expert in no time. We discuss advanced techniques and add step-by-step examples to the more complex editing concepts. Although the book is large, most sections in the book are self-contained, so experienced users can simply look up tools they need help with. This book is really designed to be a desktop reference, but it s much more than the Photoshop online help. We ve incorporated examples designed to guide you through various techniques, provide our experience in tips and suggestions, and try to give you a jumpstart on how to leverage Photoshop s features. The specific purpose of this book is to provide you with the understanding you need to get the very best results. So sit back, load up Photoshop, and enjoy the ride!

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